I was at the library the other day, and my daughter was playing at the Art Table with two other girls. One of the little girls’ mother was near by and said “Aren’t you girls good little artists!”
And the third girl perked up and said “My dad’s an artist!”
The woman smiled indulgently and says “Oh really, what kind?”
The little girl proudly told her “He’s a tattoo artist.”
And the woman. Oh man. Her face just twists, crumples into something nothing short of disdain, and she opens her mouth and says “That’s not…”
“An easy job,” I cut in, looking the woman in the face because really? You’re going to tell a child her dad’s not a real artist. “In fact it’s very very hard, because that art is alive forever on a person, not like on paper. And that’s scary! You have to be really good, to be a tattoo artist. Your dad must be really, really good.”
what kind of person could just try and crush a little kid like that? goddamn.
Do people not realize that tattoo artists have to know how to draw really well and produce straight precise lines on a moving canvas, and make the right color selection and know how to blend those colors and do proper shading, and a million other art things and no single client/canvas is the same and they have to adjust based on the pigment of the skin and where the person wants the tattoo?! What the hell
cybertronian: giandujakiss: jamesfactscalvin: officialnatasharomanoff: project-blackbird: reservoir-of-blood: Emily Vancamp as Sharon Carter in “Captain America: The Winter Soldier” Here’s an example of what we call a “soft no”. Sharon turns down Steve’s offer in a way that’s meant not to insult … Continue reading →
This search for niche groups led Subaru to the 3rd rail of marketing: They discovered that lesbians loved their cars. Lesbians liked their dependability and size, and even the name “Subaru.” They were four times more likely than the average consumer to buy a Subaru. […] Subaru decided to launch an ad campaign focused on lesbian customers. It was such an unusual decision—and such a success—that it pushed gay and lesbian advertising from the fringes to the mainstream.
If you’ve ever wondered why people joke about lesbians driving Subarus, the reason is not just that lesbians like Subarus. It’s that Subaru cultivated its image as a car for lesbians—and did so at a time when few companies would embrace or even acknowledge their gay customers.
How is that ad picture marketing towards lesbians?
How is it not?
I mean it’s just two cars with sports gear on top of them am I missing something?
Wait nvm the car on the right has a gay pride flag sticker on it is that it?
There’s subtler stuff too. The two bikes are identical, not different sizes or frame styles, suggesting a same sex couple *if* you’re tuned in to that kind of thing. “Camp Out” is probably a pun on the outdoorsy meaning and the LG meanings of one or both constituent words, in context of the sticker. And the other license plate says “Xena Lover”, with Xena: Warrior Princess being legit #GayCulture of the era.
Oh, and the actual slogan itself– “different roads” alludes tongue-in-cheek to an old euphemism for lesbians.
Figment, the recently closed writing website, has just launched (after a long delay) their long-awaited successor to figment known as Underlined, where users can post their work and receive feedback, supposedly.
DO NOT USE UNDERLINED. DO NOT POST YOUR WORK ON UNDERLINED.
Underlined’s terms and conditions contains a clause stating that the rights to all your work that you post on their website belongs to them!!!!
Underlined belongs to Penguin Random House. This is an extremely dirty trick for them to play on writers, especially young writers and children, who come to the internet to get feedback and will lose the rights to their work. Please boost!!!
For my writing friends looking for an online writing community, DO NOT USE Underlined.
I went to confirm @greater-than-the-sword‘s post, because seriously publishers are still pulling this garbage? And yes, they are. If you want to check out the full terms and conditions, have at it. They are full of writers’ nightmares, a few of which I’ll highlight under the cut.
C.A. Jacobs
C.A. Jacobs 