More on revisions

The first writing deadline for my fourth term in Seton Hill University’s MA in Writing Popular Fiction was 27 July 2010, the day before yesterday. This was probably the hardest deadline so far because the revision process is being so utterly problematic.

I wrote up a new beginning to Accept Fire and Blood and took it to the local writer’s group last Wednesday 21 July. I again received the comment of “I don’t know why I’m reading this” so I had to look closely at the new beginning. This was the exact same reaction a good portion of critiquers have voiced from the beginning.

Here’s the funny part about this whole thing. The part that I now have as the actual beginning is the exact same opening line and beginning that I started with TEN YEARS AGO. I probably don’t need to highlight that so excessively, but it makes me trust my instincts a lot more about writing the story that’s in my head, not writing the story that I think people want to see.

There’s a couple different schools of thought there. Some authors believe in writing to the market and some authors believe in writing the story their characters tell them to write. Or the story that is based on that awesome idea they had. In my mind, it really is only two different schools of thought. One where you write based on what you think will sell and on where you write what you want and pray that someday your writing is good enough for it to sell.

I think I approach writing like I approach most things in my life. Those things that I actively want to do are those which I pursue and which give me the most satisfaction. It’s also the stuff I become really good at and the stuff that rewards me the most with my occupation. I think the two are linked. The more enthusiastic I am about something, the more my enthusiasm shows when I deal with other people and some of that enthusiasm rubs off on other people.

Kind of like having infectious energy.

I think that puts me firmly in the category of wanting to write my story and write it well, and maybe someday I’ll find the person who wants to sell my stuff as much as I want to write it. I’ve also revised the section my writer’s group saw from last week and gave it to them last night. Almost all of the comments were positive and the two new readers were also hooked. Those who read it last week were astonished at how different the section was, even though the same basic information and the exact same events took place.

My SHU mentor tells me that I am probably one of the fastest learners she’s had and I’ll admit that I really am a fast learner. If you tell me I’m doing something wrong, I’ll actually take active steps to fix it. I’ve got a great story and I want to tell it, which means that when people say I should fix things, they’re probably right.

Unfortunately, I did the math and realized that in order for my revisions to be completed on time, that basically means I have to revise a full chapter a week, and my chapters are long. This combined with reading the five books for the MA, doing my genre essay, preparing a teaching module for January, and preparing to do another extended research trip are making life a little more complicated and less time friendly than I’d anticipated.

It’ll all get done, though. I tend to be slightly tenacious and the only direction to go is forward.

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Book Review: Shadow of Saganami by David Weber

I’m not doing too well on updating this when I actually finish reading something. I finished reading Shadow of Saganami (Science Fiction 745 pages) by David Weber on Sunday, 25 July. I am only just now posting my review if that gives any indication as to what kind of week it’s been.

As I’ve noticed with all of the other Honor Harrington books I’ve read, the story was very in-depth and thorough. There are a lot of books in this series, though, and they tend to come pretty far apart. This is one of those series were I would very much like to have the time to sit down and read through all the books all at once in a big marathon. I doubt I’ll have that kind of time anywhere in the near future, however.

Since the books are so far apart and there are so many different characters and important moving pieces, sometimes it’s hard to keep track of all of them.

I do realize there is a character glossary in the back of the book, but the truth is that I am one of those readers who will move page by page through the book and not stop for outside distractions like checking which government or navy the current scene pertains to. It felt almost like the readers were being expected to keep track of who all these people are, where they’re located, and who they’ve been associating with.

It’s an extremely complicated storyline and I never once went to the character list to figure out who some of the people were. I figured that if I just kept reading, things would clear up. For the most part, I was right.

Overall, it’s a good installment in the Honorverse.

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Book Review: Patient Zero by Jonathan Maberry

I started and finished Patient Zero (Horror 421 pages) by Jonathan Maberry yesterday. This is the assigned reading for the SHU MA program in Writing Popular Fiction for January 2011. It’s also the first assigned reading for this program that I have absolutely loved.

This book was fantastic. The pacing was great, the characters were worth cheering for, and the story was something very, very terrifying.

The story starts off with instant conflict, and it’s a life-or-death kind of conflict that grips you right from the start. I mean, the first chapter is only 33 words and I was instantly hooked.

One of the key things that I’m taking out of this story is that it was written in the style that I’m currently using for Accept Fire and Blood. Most of the story is written in first person POV, but there are key plot-moving sections done in the third person POV. The good guy is all in 1st person and the bad guys are all in 3rd person. This is the exact same thing I was attempting to do with Accept Fire and Blood, only Maberry clearly pulls it off very, very well.

I also liked how there were multiple elements from multiple different genres. This book wasn’t just a first person shooter who goes around killing zombies. There was a little bit of the hopeful-romantic element in Joe’s relations with Grace; a little bit of the mystery element in trying to figure out who exactly is pulling all the strings and what the entire big picture catastrophe is; a lot of the thriller aspect as the subject matter for chasing down terrorists with sophisticated technology; fascinating suspense stuff with the mole inside the operation; a touch of the science fiction side of the house by using lots of … well, science; and a good touch of the horror element with zombies.

This is one of those books that moved so well and so seamlessly that I got disgruntled every time I was interrupted while reading it. The tension and action built constantly throughout the story and even though I was a little confused by the chapters in the beginning going back and forth between 27 June and six days ago. Then everything caught up and I decided that I actually liked the way that was done. It helped to prevent a massive info-dump.

The book also uses a lot of dialog to show what’s going on and to give readers the information we need to figure out what’s going on. This is another of those things I need to get much, much better on.

I did find it funny that Joe sits down and reads a David Morrell book at one time, since David Morrell was our guest speaker this past residency at SHU.

Overall, this book was fantastic and I’m glad I own it, as I will most assuredly read it again.

Works cited: Maberry, Jonathan. Patient Zero. New York: St. Martin’s Griffin, 2009.

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Book Review: Neverland by Douglas Clegg

I finally finished Neverland (Horror 288 pages) by Douglas Clegg last night.

This is one of those books that I’m pretty sure I’ll never need to read again. It definitely built tension and there were a good many scenes in the book that were absolutely gruesome, but it’s for that factor alone that I could easily stand to not read this book again. In this way, I think the author did an absolutely successful job with this novel.

The big mystery for the entire story is “who is Lucy” and “what are they really doing in that really creepy shack in the woods?” I have to say, I’m very glad that it didn’t wind up being anything sexual. I think that might have pushed my gross-out factor to the point of putting down the book and not finishing it, which is really rare for me. I can’t think of a single book that I have started that I have not finished. Some books have been greater struggles than others, but in the end, I always finish reading.

I liked how the story kept stringing us along with the ambiguous idea of Lucy, the really sick and twisted deity that Sumter worships. I think what really made the story creepy and gruesome was the fact that the main character and all the really important characters were children, or pre-teens. I think if the main characters were anything other than pre-teens, that the book wouldn’t have had nearly so much of the creep factor that it did.

It was also interesting to me how the story really played on the differences between how we view the world as adults and how we view the world as children. I’m pretty sure that most people don’t remember what they were actually thinking when they were children, and if we do remember what we were thinking, it’s quite likely that we don’t have the correct facts as to what the situation really was. When we grow up, our experience shows that there’s a lot going on in the world that may not have made very good sense to us when we were children. I think this makes it so that a lot of adults discount things children talk about when maybe they shouldn’t.

Sumter’s mom, Aunt Cricket, is a prime example of this. She was so focused on all the things she wanted to see about Sumter being a good little boy and that the kids couldn’t really be doing anything all that bad that she completely ignored all the stuff Sumter was really doing. He says all sorts of things throughout the entire story, even when the adults are around that would have keyed in just about anybody who was paying genuine attention that things in Sumter’s head were not quite right.

I guess that brings me to another point about how the book very well could have been kind of a moral of the story sort of thing. I’d like to say that if this were a real story that better parenting and less alcohol abuse would have led to a much smaller to non-existent death count, but that’s the point of reading stories like this. It takes normal occurrences and pushes them to the point of the worst case scenario.

Overall, I’m glad I read this book, as I definitely got a lot on how to gross out my readers, but I’m fairly certain this is not a book I ever need to read again.

Works cited: Clegg, Douglas. Neverland. New York: Vanguard Press, 2010.

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Book Review: Kitty Goes to War by Carrie Vaughn

I picked up Kitty Goes to War (Urban Fantasy 334 pages) by Carrie Vaughn on 26 June and read it all in one sitting on 28 June.

Carrie Vaughn is easily becoming one of my favorite authors – one of those people where I will read every single story written by them. Her characters are fantastic, her story-telling style is smooth and realistic, and all of her plots are solid.

In Kitty Goes to War, Kitty has to deal with a team of rogue Army Special Forces werewolves who recently redeployed from Afghanistan. I was a little bit unsettled when I read the tagline for the book, as this kind of plot could go any number of directions. But then I remembered who the author is, an author that I as a reader trust. The book was well done, and there were a lot of parts that really resonated with me. The characters dealt with a really crappy situation in very realistic ways and some of those situations were things I’ve seen many people deal with, the only difference being that they aren’t werewolves when they have to go through it.

I’m not really up to giving a more in-depth review right now. Overall, the book was fantastic, even though I almost cried at about three different places. I continue to be impressed with this series and will continue to read all that I can by Vaughn.

Works cited: Vaughn, Carrie. Kitty Goes to War. New York: Tor, 2010.

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Writer’s Residency 4: Conclusion and wrap-up

I had a great time at my 4th residency at Seton Hill University for the MA in Writing Popular Fiction. As always, the sheer energy generated by a group of individuals solely focused on writing is amazing. There are so many fantastic conversations at all hours with people from all walks of life. Unfortunately, it means that most of us don’t get much sleep because the atmosphere is highly addictive.

In the past week, I’ve learned about plotting, point of view, working through the middle of a novel, how to better write the mood and atmosphere in horror, and how horror as a genre has evolved. Once I’m actually home, I think I will post overall information from all the notes I took and set up the links for all the workshops.

The atmosphere in horror module was absolutely fantastic. The class was taught by Dr. Michael Arnzen and began with a little bit of mood music. We analyzed the music and the frequency selections and did our best as a class to figure out what gave that music the horror element. At the end of the class we went to the chapel and spent some time getting a spiritual feel for the area. This really came out with the ghost tour of Seton Hill University that one of the other students narrated. Once the sun set, the whole atmosphere of everything changed. The graveyard with sporadic fireflies, the moonlight barely visible through extensive stained-glass patterns, the dark steam tunnels and malfunctioning elevator. All of it really helped to bring out those elements not related to sight that we as authors really ought to spend more time on. I read so many works these days that are solely visual based. Using the other senses can really add texture and depth. What does the rain sound like? How do the steam pipes smell? What does the brick feel like? Does the air after a thunderstorm have a flavor?

This is all just the tip of the writing iceberg. I’m now inspired to go work on the massive revisions Accept Fire and Blood requires.

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Writer’s Residency 4: Day 2

Today, I was lucky to be the audience for three people’s teaching modules. The three modules were the Hero’s Journey, Plotting and Pansting, and Character Personality Disorders.

The first was done on the Hero’s Journey, and I thought that was remarkably useful. Maybe tomorrow when I actually have my notes, I’ll be able to write up all my thoughts on that module, because it really was a great module. Very informative and filled with a lot of stuff I should focus more on in order to get Accept Fire and Blood on its feet again.

The second was a teaching module on the differences between being a “plotter” and being a “pantser”. This is a pretty fascinating issue because most writers tend to do either one or the other, and this might be one of the few times when you can say that it’s one or the other, but most people do a combination of both.

The final teaching module was on Character Personality Disorders and I found it a little depressing, but highly informative. A lot of information was presented in order to help us be able to create more memorable and believable villains. There were a couple hero examples, but the vast majority of the discussion revolved around the truly disturbed, which tends to be the villains or antagonists.

In the afternoon, I finally took the Point of View module. Also tomorrow when I remember to find my notes, I’ll post the POV chart, which isn’t really a chart at all.

Overall, I’m starting to feel pretty tired and we still have three more days to go.

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Writer’s Residency 4: Day 1

I arrived safely in Pittsburgh yesterday and even managed to find a ride to Greensburg for the residency. I’ve missed the atmosphere here and hanging out with a bunch of other writers. It’s amazing to me sometimes how much energy, creativity, and intelligence is always exhibited at SHU for the residencies. It’s hard to not be surrounded by any of that on a daily basis, but I think it would get a little overwhelming if this was how my entire life went.

As today is the first day, I have so far only attended the opening reception last night, the general discussion of Ain’t She Sweet by Susan Elizabeth Phillips followed by the special session on what a reader is and why we as writers should pay attention to our reader, and then the very informative and entertaining Readings in the Genre: Horror.

During the course of the previous term, the Readings in the Genre: Horror read a pretty sizable selection of horror works, which is pretty helpful considering that I still hadn’t really solidified the books I wanted to read for this term. Here is a list of the books from last term:

Phantom of the Opera by Gaston Leroux, Hell House by Richard Matheson, Rosemary’s Baby by Ira Levin, Cabal by Clive Barker, the Shining by Stephen King, a whole lot of H.P. Lovecraft, and Neverland by Douglas Clegg.

Scott Johnson (http://www.americanhorrorwriter.net/) led the discussion and covered key aspects of all of the texts. I always enjoy taking his modules and classes because he tends to allow everyone to participate in the conversation. None of his courses are ever structured in such a way that you receive a handout for the class and then basically read what the handout says. It’s a refreshing and interactive way to teach, and I think we all get more out of those types of classes.

I’ve also had a few sparse opportunities to chat with my mentor and I’m really looking forward to my mentor meeting so we can hammer out and start to polish a lot of the key areas that I seem to be struggling with.

Tonight is just a presentation on iPads. We’ll see how that goes.

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A new ending

Based on the recommendation of my mentor, I started work on what I planned to be the next book in the Wildlands series. My mentor felt as though my current ending to Accept Fire and Blood is not really a successful ending at all. A lot of the issues that she brought up are ones that I intended to deal with in the later books in the series. I do understand where she’s coming from when she says the first book doesn’t really have a solid ending, so I’m thinking that I can just use the first couple chapters of the next book as the ending for this book. I’m not really sure what that’s going to do for the overall theme and plot arch that I have plotted out for the next book, but we’ll see.

The next residency for my MA at Seton Hill University is coming up in a couple weeks. I was pretty disappointed to find out that one of the classes that I wanted to take wasn’t actually going to be offered. I originally signed up for Getting the Science Right In Your Science Fiction, but I guess there weren’t enough people so I had to pick another class. I’m sure whatever class I take will be educational and possibly entertaining as well, so I’m not too worried about it, but I think that class would have been good for me, considering all the futuristic technology that I need to incorporate into the revision process.

I’m not really sure if it’s a good thing that I’m working on revising the first few chapters at the same time as writing new chapters at the end. I don’t think it will be too much of a problem, but I can see how it might make things complicated with the ideas that I’ll have at the end and having to redo the beginning *again*. Right now, I have at least 5 versions of the first chapter, and I continue to revise. Do I really think I’ll be ready to attempt to sell this book in the next six months?

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Book Review: the Amber Spyglass by Philip Pullman

I actually finished the Amber Spyglass (Young Adult Fantasy 518 pages) by Philip Pullman a few days ago but haven’t been able to get to the library to write up this review until now.

Out of the entire trilogy, I think this book moved the fastest. I was impressed by the speed of this novel versus the previous two books in the series.

I continue to think that this is a very imaginative set of books. There are people that don’t look like people, different ways of seeing the world, and a vibrancy of life that’s just plain neat. I liked the wheeled characters and their method of communication. I liked the use of a couple common mythological theories. I liked the story and I liked the characters.

I already spent a good deal of time in my reviews of the previous books talking about the religious and political elements, so I don’t really feel the need to do that again here.

Kind of a short review, I know. But I’m a bit crunched for time today.

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